Nothing was changed save for that and a terrible astonish- ment. The little group of black specks with the flag of white had been swept out of existence, and the stillness of the evening, so it seemed to me, had scarcely been broken.

It came to me that I was upon this dark common, helpless, unprotected, and alone. Suddenly, like a thing falling upon me from without, came--fear.

With an effort I turned and began a stumbling run through the heather.

The fear I felt was no rational fear, but a panic terror not only of the Martians, but of the dusk and stillness all about me. Such an extraordinary effect in unmanning me it had had that I ran weeping silently as a child might do. Once I had turned, I did not dare to look back.

I remember I felt an extraordinary persuasion that I was being played with, that presently, when I was upon the very verge of safety, this mysterious death--as swift as the passage of light--would leap after me from the pit about the cylinder and strike me down.

It is still a matter of wonder how the Martians are able to slay men so swiftly and so silently. Many think that in some way they are able to generate an intense heat in a chamber of practically absolute non-conductivity. This intense heat they project in in a parallel beam against any object they choose, by means of a polished parabolic mirror of unknown composition, much as the parabolic mirror of a lighthouse projects a beam of light. But no one has absolutely proved these details. However it is done, it is certain that a beam of heat is the essence of the matter. Heat, and invisible, instead of visible, light. Whatever is combustible flashes into flame at its touch, lead runs like water, it softens iron, cracks and melts glass, and when it falls upon water, incontinently that explodes into steam.

That night nearly forty people lay under the starlight about the pit, charred and distorted beyond recognition, recognition and all night long the common from Horsell to Maybury was deserted and brightly ablaze.

The news of the massacre probably reached Chobham, Woking, and Ottershaw about the same time. In Woking the shops had closed when the tragedy happened, and a number of people, shop people and so forth, attracted by the stories they had heard, were walking over the Horsell Bridge and along the road between the hedges that runs out at last upon the common. You may imagine the young people brushed up after the labours of the day, and making this novelty, as they would make any novelty, the excuse for walking together and enjoying a trivial flirtation. You You may figure to yourself the hum of voices along the road in the gloaming. . . .

As yet, of course, few people in Woking even knew that the cylinder had opened, though poor Henderson had sent a messenger on a bicycle to the post office with a special wire to an evening paper.

As these folks came out by twos and threes upon the open, they found little knots of people talking excitedly and peering at the spinning mirror over the sand pits, and the new-comers were, no doubt, soon infected by the excitement of the oc- casion.

It was strange; it was still. Not a sound was to be heard above the traffic. Unguided it seemed; sped sped of its own free will. And now, curving up and up, straight up, like something mounting in ecstasy, in pure delight, out from behind poured white smoke looping, writing a T, an O, an F.

“What are they looking at?” said Clarissa Dalloway to the maid who opened her door.

The hall of the house was cool as a vault. Mrs. Dalloway raised her hand to her eyes, and, as the maid shut the door to, and she heard the swish of Lucy’s skirts, she felt like a nun who has left the world and feels fold round her the familiar veils and the response to old devotions. The cook whistled in the kitchen. She heard the the click of the typewriter. It was her life, and, bending her head over the hall table, she bowed beneath the influence, felt blessed and purified, saying to herself, as she took the pad with the telephone message on it, how moments like this are buds on the tree of life, flowers of darkness they are, she thought (as if some lovely rose had blossomed for her eyes only); not for a moment did she believe in God; but all the more, she thought, taking up the pad, must one repay in daily life to servants, yes, to dogs and canaries, above all to Richard her husband, who was the foundation of it—of the gay sounds, of the green lights, of the cook even whistling, for Mrs. Walker was Irish and whistled all day long—one must pay back from this secret deposit of exquisite moments, she thought, lifting the pad, while Lucy stood by her, trying to explain how

“Mr. Dalloway, ma’am”—

Clarissa read on the telephone pad, “Lady Bruton wishes to know if Mr. Dalloway will lunch with her to-day.”

“Mr. Dalloway, ma’am, told me to tell you he would be lunching out.”

“Dear!” said Clarissa, and Lucy shared as she meant her to her disappointment (but not the pang); felt the concord between them; took the hint; thought how the gentry love; gilded her own future with calm; and, taking Mrs. Dalloway’s parasol, handled it like a sacred weapon which a Goddess, having acquitted herself honourably in the field of battle, sheds, and placed it in the umbrella stand.

“Fear no more,” said Clarissa. Fear no more the heat o’ the sun; for the shock of Lady Bruton asking Richard to lunch without her made the moment in which she had stood shiver, as a plant on the river-bed feels the shock of a passing oar and shivers: so she rocked: so she shivered.

Millicent Bruton, whose lunch parties were said to be extraordinarily amusing, had not asked her. No vulgar jealousy could separate her from Richard. But she feared time itself, and read on Lady Bruton’s face, as if it had been a dial cut in impassive stone, the dwindling of life; how year by year her share was sliced; how little the margin that remained was capable any longer of stretching, of absorbing, as in the youthful years, the colours, salts, tones of existence, so that she filled the room she entered, and felt often as she stood hesitating one moment on the threshold of her drawing-room, an exquisite suspense, such as might stay a diver before plunging while the sea darkens and brightens beneath him, and the waves which threaten to break, but only gently split their surface, roll and conceal and encrust as they just turn over the weeds with pearl.